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Monday, July 7, 2025

Listening with Merlin Hen ID, I Hear the Patterns We Dwell By


Illustration by Jillian Ditner.

We had been car-birding a reed marsh close to the Blackwater Nationwide Wildlife Refuge in japanese Maryland—me and my uncle Ralph, binoculars educated, making an attempt to make sense of a sparrow that wouldn’t sit nonetheless lengthy sufficient for both of us to make certain. It was a kind of midsummer sparrows—muted, flickering out and in of the reeds, unbothered by the talk occurring within the automobile, which had been replayed scripts of moments similar to these over many years.

I scanned for plumage: faint eyestripe? No, perhaps not. Lengthy tail? Imprecise. We ran the listing. Swamp. Seaside. Nelson’s—unlikely in midsummer, however it crossed our minds. The outdated Sharp-tailed Sparrow grouping nonetheless echoed in our shorthand, regardless that it’s been break up for years. Vary maps. Habitat. Habits. Nothing definitive.

After which I heard it—the music. It seemed like a damaged catbird—buzzy, abbreviated, prefer it by no means fairly determined what it wished to be. As we drove off, I held onto that sound. It caught with me. It didn’t shut the case, not totally. We left the chook marked as “possible, however not definitive.” And subsequently: unsatisfying.

Although the sighting stayed in that irritating class of “possible,” the second itself made one thing else completely clear: I don’t ever wish to chook once more with out the Merlin Hen ID app.

That second within the marsh jogged my memory: Birding has by no means simply been about identification. It’s about connection. Integration. Feeling a sample fall into place. And what Merlin—the smartphone app from the Cornell Lab of Ornithology that may establish birds by way of sound, photographs, or a fast step-by-step information—offers me is a method to keep inside the method, not simply observe it. A method to belong.

As a result of Merlin can do what I not can.

The blur of noise is not ambient. It’s a story.

I exploit an influence wheelchair now. It’s a comparatively latest shift in my life, and whereas I’m deeply grateful for the mobility it provides me, birding has modified. Holding binoculars regular is more durable. I typically must brace on one thing, and uneven terrain makes that sophisticated. This isn’t a grievance—and sure, I do know there are gear options and workarounds. However that’s not what this story is about.

This story is about how Merlin confirmed me a special method to chook—one which didn’t really feel like a compromise. It expanded what I might nonetheless do very well: pay attention.

As a result of Merlin isn’t simply an app, it’s a software—perhaps even a companion—that tunes the world in another way. Once I sit outdoors now, I’m not simply listening to birdsong. I’m understanding it. I can hear a cardinal and understand it’s a spring music—a vibrant observe, a declaration. I can hear a Tufted Titmouse and acknowledge the call-and-response—a dialog I can lastly observe. I can hear the repeating territorial music of a Carolina Wren and perceive what that loop is making an attempt to say.

The blur of noise is not ambient. It’s a story.

And right here’s the deeper fact: It’s not simply birding Merlin enhances. It’s consideration. It’s sample recognition. It’s belonging.

I name this sort of expertise Visceral Technological Kinetic Achievement—a time period I exploit in my work as an adaptive technologist who helps individuals with disabilities use gadgets or software program to satisfy their distinctive practical wants. It’s what occurs when a well-designed software doesn’t simply lengthen your senses—it aligns together with your means of being. It removes friction between notion and which means. It doesn’t drive you to turn into another person. It allows you to turn into extra totally who you already are.

That’s what Merlin does for me. I don’t wish to watch birds like I used to. I wish to hearken to birds like I can now.

I’ve all the time been somebody who follows sound. I bear in mind the primary time I ever heard an Jap Phoebe in Connecticut—its raspy, insistent phoebe!-phoebe! music—plainspoken and chronic, a well-known voice calling from the sting of a quiet wooden. That sound has by no means left me. And now, even when my legs can’t carry me up a hillside path, Merlin can assist me know when that chook is close to. I can pay attention for it, affirm it, and nonetheless really feel a part of the world it lives in.

Merlin can also be, quietly, one of the crucial accessible instruments I’ve ever used. In case your physique is unable or your eyes aren’t sharp, you may pay attention. In case your listening to’s not nice, you may observe the spectrogram or learn the names. In case you’re neurodivergent, the construction and readability can gentle up your mind in one of the best ways. And if you happen to’re simply somebody making an attempt to really feel linked once more—to put, to rhythm, to the world—Merlin delivers. Gently. Immediately. Reliably.

What Merlin actually is, for me, is an entry portal. To the pure world. To pleasure. To reminiscence.

We don’t discuss sufficient about what these instruments do to us, not only for us. What they open up. How they alter the way in which we stroll by the world. Merlin is marketed as a birding assistant. What it truly is, for me, is an entry portal. To the pure world. To pleasure. To reminiscence. To narrative.

Right here’s the factor: I’m not a lister. I’ve by no means stored depend, by no means flown throughout the nation for a rarity, by no means chased the massive yr. I’ve seen a lot of the straightforward, colourful birds right here in North America. What’s left for me now are the sparrows, the shorebirds, the gulls and terns—birds that each one blur collectively except you actually know methods to look or pay attention. And generally, it seems like work. Nevertheless it’s the form of work I’m drawn to—the type that asks not only for identification, however for one thing deeper.

I’ve come to think about myself as a success birder. I don’t want genetic affirmation or a second opinion from a uncommon chook alert. I don’t thoughts seeing the identical chook many times. I nonetheless goal species—generally even plan household journeys round them. (That Nice Grey Owl at Sax-Zim Lavatory? Price each mile.) However the thrill isn’t within the chase. It’s within the alignment—when all of the cues come collectively, and one thing inside me simply is aware of. That’s the chook. That’s the second. That’s the story.

And sure, I averted Merlin at first. It felt like dishonest. Like outsourcing the a part of birding that was purported to be hard-earned. However I’ve modified my thoughts. Merlin doesn’t change the story—it reveals it. Final spring, I used it to trace down a Wooden Thrush I used to be listening to however couldn’t see. Once I lastly noticed it, I spotted it was gathering nesting materials—and had been calling in that specific rhythm for a purpose. That’s what Merlin helps me do: catch the layer beneath the sound.

And that’s how I do know: I nonetheless belong. Perhaps not all the time with these itemizing their sightings. However positively within the story about birds and the pure world. That day within the refuge, puzzling over sparrows with my uncle, confirmed me I had crossed some form of line. From passive birder to participant in sample. From seeker to interpreter.

I’ve by no means heard birdsong the identical means since.

And I don’t ever wish to return. 

Concerning the Writer

Andrew J. Lewis is a author and adaptive technologist primarily based in Maryland, the place he lives together with his spouse, son, and daughter, Phoebe. His work explores how individuals re-author their lives after trauma, sickness, or identification disruption. His e-book A Democracy of Info—about American ornithologists and naturalists in the course of the period of the American Revolution—was printed in 2011 by the College of Pennsylvania Press. He’s been writing about birds since a second-grade report on the Peregrine Falcon.  

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